I've just posted an unpublished essay I wrote in 1995 about the Abstract Expressionist painters Franz Kline and Willem DeKooning over at Untitled: Perspectives; you can link to it here. Kline, of course, has been one of my favourites ever since I discovered art--the poster for that 1994 Whitechapel show is sitting over my shoulder as I write this. Part of that was the Black Mountain connection: I read Fielding Dawson's Emotional Memoir of Franz Kline, and it was easy to see the way Kline's work reflected or was reflected in, the poetry of Charles Olson and Robert Creeley, just as those influences were reflected in the work of Cy Twombly. So pop over to the other blog and see what I was talking about then...
Tuesday, 26 July 2011
KLINE AND DEKOONING: A 1995 RE-EVALUATION
I've just posted an unpublished essay I wrote in 1995 about the Abstract Expressionist painters Franz Kline and Willem DeKooning over at Untitled: Perspectives; you can link to it here. Kline, of course, has been one of my favourites ever since I discovered art--the poster for that 1994 Whitechapel show is sitting over my shoulder as I write this. Part of that was the Black Mountain connection: I read Fielding Dawson's Emotional Memoir of Franz Kline, and it was easy to see the way Kline's work reflected or was reflected in, the poetry of Charles Olson and Robert Creeley, just as those influences were reflected in the work of Cy Twombly. So pop over to the other blog and see what I was talking about then...
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