Mari Jungstedt's
series of police procedurals set on the Swedish island of Gotland,
and starring Anders Knutas, started out as one of the best of the
Nordic new wave. There were many familiar elements: Knutas was a
particularly thoughtful everyman Depressive Detective, there was a
well-drawn ensemble, and the addition of television journalism gave
it a touch of the point of view that works so well for Lisa Marklund.
What was particularly strong was the sense of isolated place: Visby,
especially the old town of this once influential port, contrasted
nicelty with the rugged barren sense of Gotland itself. Like
Mankell's Ystad, Visby turned out to be particularly crime-ridden
paradise, but it acted as a sort of microcosm for the Swedish society
it could in a sense observe at a distance.
The Dangerous
Game, the sixth Knutas novel, takes a wider view, being set in
the world of high-priced fashion modelling, and thus also in
Stockholm. The story is built around Jenny Levin, a teenaged
modelling sensation who happens to come from a farm on Gotland. When
Sweden's best-known fashion photographer, with whom Jenny is having
an affair, is murdered on a Gotland shoot, the investigation falls to
Knutas and his team. And it just happens that the local TV reporter
Johan Berg's partner is a friend of the Levin family.
Jungstedt's real
strength is charting the choppy waters of the relationships of this
cast; Knutas is discovering his jealousy of his colleague Karin's
happy relationship, just as he seems to be making progress with his
own marriage, at least until his obsession with solving the murder
interferes. Berg is likewise driven to family trouble by his
concentration on work. The investigation gives Jungstedt lots of room
to explore those craggy paths.
But running
alongside the main story is another, involving Agnes, a former model
now confined in a home suffering extreme anorexia. This is one of the
dark sides of the fashion world, and Jungstedt conveys it in chilling
detail. But because this is a novel, it points the way toward the
solution. Writers often make this work by giving the solution away,
and writing from the killer's perspective. But here the killer's
identity is kept secret, with a series of red herrings that become
less and less effective. So that even a nice twist at the end has
been telegraphed in advance, and fails to surprise as it should.
This is
disappointing mainly because Jungstedt does such a good job of
getting the reader involved, and keeping the story moving on its
multiple levels. And despite the let-down of predictability, it
leaves one looking forward to a return trip to Visby.
The Dangerous
Game by Mari Jungstedt
translated by
Tiina Nunnally
Doubleday £12.99
ISBN 9780857521507
NOTE: This review will also appear at Crime Time (www.crimetime.co.uk)
I've been a fan of "series" book like this in the past. They always "leave town" at some point, but it's usually the case that these new settings don't produce the best books in the series.
ReplyDeleteI understand why the authors move their characters into the wider world, but I'm also grateful when then go back home in later volumes.