tag:blogger.com,1999:blog-413013422636027916.post965873928871837907..comments2024-03-05T10:32:32.208+00:00Comments on IRRESISTIBLE TARGETS: BLACKMARK: THE ORIGINAL GRAPHIC NOVEL?Michael Carlsonhttp://www.blogger.com/profile/04490121869284175945noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-413013422636027916.post-87753219247260808312008-10-26T08:02:00.000+00:002008-10-26T08:02:00.000+00:00Thanks for that comment--I agree with lots you say...Thanks for that comment--I agree with lots you say abt the story (after all, I do like it) and especially the layout of the art (which I might have said more about) but you do use the word turgid at one point, and I found a lot of it close to that (something I rarely thought abt Archie's work).<BR/>But I may be over-valuing that--the way some film reviewers review the dialog and not the movie...<BR/><BR/>As to the question mark: I know there are other theories, but I included it simply because I thought if this were the first GN, then what was His Name Is Savage?Michael Carlsonhttps://www.blogger.com/profile/04490121869284175945noreply@blogger.comtag:blogger.com,1999:blog-413013422636027916.post-84806725811065664882008-10-25T23:10:00.000+01:002008-10-25T23:10:00.000+01:00I could not disagree more with the contention that...I could not disagree more with the contention that this book failed because it was clunky or had stilted, badly written prose. When I read this book the first time after reading it in Marvel's Savage Sword of Conan (with added art to try to expand the format to suit the larger pages) it was like reading it for the first time. The pace was more concise but the art literally breathed from page to page. <BR/>The prose often worked more like a candid narration, a solid back drop for the imagery. For me this was the "comic book" I'd been waiting for since I first started reading them. My paperback copy was bought through the collectors market since I missed it when it came out.<BR/>The newly expanded edition with the larger trade paperback sized format was welcomed without hesitation. Now we had both of the original stories in one volume (rumored to have been the first two of what was supposed to be a much larger series or saga). <BR/>Kane's art is more spare in this series but it's still that angular, dynamic, illustrative process that he brought to comics. It's better here because it is a raw but also sophisticated form of cartooning. There are no huge, steroidal heroes. The landscape is expansive like the American west of middle east. The edginess of the story is perfectly suited to a time when people feel helpless to change their own fates, hanging on for dear life and relying entirely on a ruthless fuedal system that offers little but the sparsest of respites from the savage environment.<BR/>The benefit here is the sweep of the tale. It's turgid in some ways, the way most post-apocalyptic tales are. However that scope of the human deprivation and desperation is needed to propel the urgency of the world's need to find a new way to live, one less reliant on murderous robber barons and jaded nobles who are out to exploit the fear they need to stay in power. <BR/>The idea that a former slave and gladiator is possibly the answer is nothing new. But for this guy to be the hope without him being a noble orphan-lost as an infant- or some messiah was very refreshing. <BR/>Best of all, science is the tool of salvation even as people fear it and curse its return, seeing it as the reason the world is in such a hopeless shambles.<BR/>I love this book, both for what it is and for what it could have become if given a chance. Gil Kane engaged and experimented with an idea that's all but lost in today's popular graphic narrative; he kept it simple and layered his story to give it the emotional impact it required while not weighing it down in useless subplots that would never be resolved. Even the wierd scince, mutant enemies and blasted wastes are used not for exploitative, over the top excuses for drawing stupid monsters. No, like the best SF and fantasy films these are crucial elements but also on the edge of the story, the threat that sometimes reveals itself but withdraws to keep the fear potent and to keep people on the edge of reason.<BR/>Lastly, there is no question mark. This was the first graphic novel whether it rates scorn or popularity. There's nothing like it today, this rare melding of prose and art. There are bigger, fatter comic books but most of them are just that, comic books with fatter packaging. So, whether it's apprciated for it story or not there is nothing like this. Will Eisner's city tales are the closest and they are also graphic novels in the their format and scope.<BR/>I may be in the minority, but there is no single book in my library of comics that hit on so many cylinders as Blackmark did. For me it is the near perfect marriage of art and prose that I wish I saw more often while realizing there's not much of a chance of it happening ever again.<BR/>That's my lengthy two cents worth.<BR/><BR/>Rick TuckerRick Tuckerhttps://www.blogger.com/profile/17427554955346329594noreply@blogger.com