Politics often plays a huge part in Swedish thriller writing, but usually it's the politics
of the past. Stieg Larsson's trilogy moved from who-dun-it to chase
thriller before moving into politics in its third volume (The Girl
Who Kicked The Hornet's Nest), which centered, in the end, around the
assassination of Olaf Palme, and the idea of elements of the Swedish
state working against its elected government. This trope recurs
constantly; in Henning Mankell's final Wallander novel, The Troubled Man, the crime
goes back to relations with allies, and subterfuge (literally)
concerning the crisis of submarines caught in the Stockholm
archipelago.
So it is no surprise
that Andreas Norman's first novel should take up those themes, of the
state within a state and the abuse of Swedish trust by allies. What
is new and surprising is the way he does it, in the present day
context of the war on terror, and Sweden as a part of the European
Union.
Carina Dymek works in
the Ministry of Foreign Affairs. She's a career-minded, unexciting,
dare we say boring, prototype Swede. On a trip to Brussels, after a
meeting of the EU's committee on security, she is approached by
stranger who claims to be an EU civil servant, and who hands her a
memory stick. On it is a proposal for a unified EU security service,
one which would have the right to spy on suspected terrorists in any
EU state, and share such spying with EU allies, like the US.
Being a good civil
servant, she immediately turns the stick over to her superiors back
in Stockholm. And quickly finds herself suspended from her job, and
being invetsigated as a potential terrorist. To make things worse,
Carina has a boyfriend, a fellow civil servant called Jamal, born in
Egypt, and within hours MI6 is in Stockholm, saying Jamal is a
terrorist, and Dymek is part of a major terror plot to strike against
the EU in Brussels. The Swedes assign one of their toughest agents,
Bente Jensen to the case, and she soon discovers there is more going
on than she, and her department, are being told.
There is a lot that is
familiar from novels of paranoid conspiracy in Into A Raging Blaze,
but what makes it work so well is Norman's familiarity with the
milieu; he worked in the Swedish foreign ministry, and he is very
good at conveying that sense of humdrum bureaucratic inevitability
about the progress of this case. The novel starts slowly, but
gradually gathers momentum as Dymek, in effect, goes on the run.
There's a little of the deus ex machina of Larsson's trilogy; skilled
hackers seem not only thick on the ground in Sweden but also
remarkably accessible—after all it is a small country so everybody
knows one. The story is forced to resolve itself somewhat
mechanically—but not until Dyke herself has been rendered; a nice
touch as Sweden's putative allies turn out to be taking liberties
with Swedish liberties...this is the other subtext of much of Swedish
political thriller writing, a sense of naivete, a willingness by
sections of the democratic society to throw ideals away for a chance
to play with the big boys.
What also helps this
novel work well are the two main characters, both women, whose
contrasts are evident, but whose similarities, while more subtle, are
even more telling. If we think of Swedish society as being, in
theory, fair and rational, it's interesting how it is left to the
women in the tale to display those characteristics, and for the men
to be the ones duped.
Because what is most
chilling, and realistic in the wake of what the world now knows about
the NSA and GCHQ and their massive spying on their citizenries and on
those of putative allies, is that when an intelligence organisation
chooses not to believe in something, facts don't matter. And Norman
does a brilliant job of putting that idea into context by using a
book of Arabic poetry send to Jamal by his uncle, whom MI6 are
claiming is a terrorist. The idea of MI6 as literary critics is both
amusing and frightening.
As with most thrillers
of paranoia, unless the ending be tragic, it tends to be a little
forced. But here there is a realistic element of unhappy resolution,
enough to suggest that the abuses will continue and any checking will
be only temporary. In the meantime, this thriller starts slowly,
builds nicely, and manages to do a good job of putting the reader
into the mind of the character whose position is rendered almost
hopeless by the security state. An impressive debut.
Into A Raging Blaze by
Andreas Norman
translated from the
Swedish by Ian Giles
Quercus £12.99 ISBN
9781782066033
note: this review will
also appear at Crime Time (www.crimetime.co.uk)
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