Rowan Petty is a
grifter on a downward roll. He’s eking out an existence in Reno,
pulling phone scams for a guy who he had originally brought into the
business. His wife left a long time ago, his daughter doesn’t speak
to him. It’s the holidays, and that’s a bad time to try to cold
call people to detach their money from them. So one cold night on the
street he meets Tinafey, like the comedienne, but all one word, a
hooker with a smile, and pretty soon he’s helped her out of a jam,
and he has to make a decision.
I first came across
Richard Lange’s short story collection Sweet Nothing when I was
judging the Crime Writers Association’s Dagger award, and I pushed
one of the tales, Apocrypha, to which we gave the prize. And Smack
works for the same reasons his stories do.
Grifters live in a
world where decisions you have to make outside the grift can always
lead to trouble. An old friend, or colleague, of Petty’s,
approaches him with a score. Don’s been on the downward spiral too,
ever since his wife died, but he picked up a tip on a big cache of
money smuggled out of the Middle East and being stored in LA by the
brother of one of the thieves. Petty had turned it down, but it’s
the holidays, he’s sick of working for someone, and his daughter’s
in Los Angeles. So he says yes to the job, and invites Tinafey off
for a holiday trip.
Of course, it’s no
holiday. No sooner has he started to reconcile with his daughter,
she’s in the hospital, and the job, which looked hinky in the
extreme, becomes more attractive, even after parties unknown start
butting into the action. From this point, Lange weaves a tale which
involves battered veterans, con men, his ex-wife and her brawny
enforcer of a husband, and those various crooks who might get in the
way.
It’s a classic
noir, where it’s almost impossible to get what you want, and in
which every possible road out turns into a dead end. Petty’s a
scammer, and used to be a good one, but he’s not a hooligan, and
the world of violence is one he’s always wanted to avoid.
Lange makes this
work not in the way he resolves the plot, but in the way he draws his
characters. He controls the pace of the story beautifully, letting
the twists grow naturally, and letting the reader experience them
through the eyes of those characters, particularly Petty, but also the
soldier Diaz, whose original scam this was, and who’s coming to
collect. There's a constant sense that trust is a fungible commodity in this world, and of course the grifter's world is in some ways a metaphor for our own. The tensions are
internal, and the real beauty of the story is the way the reader
begins to root for Petty, an amoral thief whose life involves
cheating marks, to succeed in something far more serious. The Smack
is an exercise in finely pitched writing, and the kind of noirish
tale you relish even as you dread turning the page to get closer to
its conclusion.
The Smack by Richard
Lange
Mullholland Books
£14.99 ISBN 9781444790047
This review will appear also at Crime Time (www.crimetime.co.uk)
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