Showing posts with label Howard Cosell. Show all posts
Showing posts with label Howard Cosell. Show all posts

Sunday, 9 August 2015

MEMORIES OF FRANK GIFFORD

Remembering Frank Gifford brings back a lot of memories. I worked with him at ABC Sports, including once doing the Rugby League Challenge Cup Final with punter Dave Jennings as his 'expert' colour. Jennings messed up his standup three or four times and then when he finally got it right, Giff messed up his, so we had to tape again. That was a hoot. I was with him for many years at Kitzbuehl, once along with Kathie Lee soon after their marriage...where the line from Michael Richie's film Smile, about Exhausted Rooster Syndrome, was brought up many times. The estimable Mike Rosen, former editor of Sport magazine, was along to write for him, like a third wheel on a honeymoon. We called him Frank's Brain. I thought that was cruel, but years later I recall my mother telling me about Kathie Lee's bragging about their sex life at some golf tournament ABC was covering; I believe that weekend might have been the Friday a couple of my colleagues and I celebrated our promotions by destroying Caramba  before returning to an empty office.

Gifford was a big part of the most iconic NFL game ever; he was the fallen warrior in the most iconic NFL photo ever, and the only sports star I know of to be the focus of one of the great American novels of the 20th century (Frederick Exley's A Fan's Notes). He was everything Exley worshipped, and more, and less.

He was probably a better player than people remember now, though of course his career suffered because of underuse early, under Steve Owen (corrected as soon as Jim Lee Howell became head coach and hired Vince Lombardi to run the offense) and because of the way carries were shared in those days and because Lombardi didn't pass all that much to backs. He's still remembered primarily as the victim of Chuck Bednarik's tackle, and maybe for not getting a crucial first down in that 1958 championship game--he always insisted he'd made it but wasn't given the spot.

It struck me that his career followed closely Kyle Rote's (that's Rote, number 44, in the Bednarik picture). Rote was an even bigger college star, at SMU, as a tailback. He became a running back, then switched after injury to flanker, just as Gifford did. Joe Morrison, to an extent, followed that pattern too. Rote, like Gifford and Charlie Conerly (who became a Marlboro man), did a lot of advertising and then media, of course when New York's Mad Men discovered the NFL in the late 50s they turned to the local team for glamour. And Rote's son Kyle, Jr. became a pro soccer star in the early NASL.

On the downside, it was the professionalism of Gifford's approach when he presented NFL on C4 in 1986 that eventually inflicted the Vicious Boys on us, perhaps the first, and a very prescient, if completely unsuccessful attempt to turn the sport into comedy, if not reality TV. He introduced British crews to the idea of wearing shorts and sneakers out of vision, with a jacket and tie above. He was a longtime ABC Sports host, and oh yeah, he was the referee between Howard Cosell & Dandy Don Meredith on MNF when it was the best NFL on TV. But he was basically a professional, subdued announcer--like his Giant's teammate Pat Summeral, but without as good a voice. He also had one memorable flub, when presenting the Wide World Of Sports Athlete of the Year award. It was going to Ben Johnson, and Gifford had been warned to be gentle, as Ben was exceeding shy and was a stutterer. So of course Giff presented the award to 'Bill Johnson' (Bill was a US skier) and Ben got flustered.

But I was always struck by an interview with him, I think it was in Esquire but it might have been Sport. He was asked about regrets. Gifford said 'you know, I was a quarterback in college. The Giants had Charlie Conerly, so they moved me to halfback.' The interviewer asked, 'oh, so you wanted to play quarterback?' and Gifford replied, 'no, you don't understand. You see, I was a quarterback.'

That bittersweet regret, from a man who seemed to have everything, has stayed with me ever since. RIP Giff.

Wednesday, 12 January 2011

DON MEREDITH: THE INDEPENDENT OBITUARY

My obit of 'Dandy' Don Meredith is in today's Independent, you can link to it here. It was a bit shorter than I wrote, and I did mention Howard Cosell's ascerbic New York Jewish persona, against which Meredith played off so well, but it basically covers all the ground. It's hard to over-estimate how important Monday Night Football was to cementing the success of the NFL, turning it into America's favourite sport, and also changing the nature of sports' coverage. The entertainment factor of Cosell and Mereedith was absolutely huge. And even Cosell, notoriously bitter about the 'jockocracy' taking over sports commentary, never had a harsh word for Meredith. North Dallas 40 remains one of the best sporting movies, and I wonder exactly how much bitterness there was in Pete Gent when he drew the relationship between Mac Davis and Nick Nolte. I've always been amazed Davis didn't have a better acting career, but that's another story. I've also wondered if the born-again Christian back-up quarterback, who flubs the hold on the extra point and costs the team the playoff game, was based on Roger Staubach or Craig Morton or just bits of both...


I really enjoyed the Meredith-Tony LoBianco team in Police Story, which was based on Joseph Wambaugh's books and I remember as being pretty gritty for the times. The Indy didn't mention Meredith and Gifford doing The Odd Couple in summer stock in Santa Fe (now there's something I'd like to see; although Gifford had the looks, you can't imagine him actually acting!) nor did they include the movie Three Days of Rain, which was written and directed by his son (from his first marriage, to an SMU cheerleader) Matthew; Meredith had a small part, as did Keir Dullea, the first husband of Meredith's third wife, Susan.

As a quarterback Meredith is somewhat underrated, in part, I think because his announcing career saw him taken less seriously, and in part because his Cowboy teams fell at the final hurdle, or one before too often. But he lost many of his best years to Eddie LeBaron, who was a gamer but never a top-flight QB, and he lost something to Tom Landry's sense of control as well.

Landry admitted he and Meredith were 'on different wave lengths', but questioned his dedication to the game. Although once, when someone pointed out Meredith had thrown a touchdown pass to Dan Reeves while still only semi-conscious after being smashed by Chris Hanburger, Landry quipped, 'how could you tell, he's like that all the time'. What is indisputable is that when Dallas added receivers like Olympic champ Bob Hayes and Lance Rentzel, their downfield threat with Meredith was a big part of what turned the expansion Coswboys into a dominant team, and had Meredith not retired at only 31, when quarterbacks are reaching their peak, he might well have lost the starting job to Staubach anyway. I think what bothered Landry about Meredith is what I liked so much about him; he always had fun, and thought doing anything you loved doing ought, above all, to be fun.