Showing posts with label Sara Gran. Show all posts
Showing posts with label Sara Gran. Show all posts

Friday, 6 January 2017

IRRESISTIBLE TARGETS BOOKS OF THE PAST YEAR

This is an odd Books of the Year list, because it basically includes only those books I wrote about on Irresistible Targets, or reviewed on The Crime Vault Live, and the books I read and wrote about were not necessarily written in 2016. And of course, some I haven't yet written about, which means a number of my favourite books of 2016 will, I hope, get mentioned here soon, including Paul Hendrickson's Hemingway's Boat, Reza Aslan's Zealot, Henning Mankell's Quicksand and David Talbot's The Devil's Chessboard. 

I admit I probably should have written about the books I reviewed on The Crime Vault, but once I'd done the podcast, reviewing them in some detail, I had pretty much said what I wanted to say. You can find links to all five of the the CVL podcasts here at IT, just use the search engine.  All the other books I mention you can similarly find in the past year.

My favourite 2016 crime novels were James Sallis' Willnot and Alex Marwood's Darkest Secret (CVL). Runners up were Michael Connelly's Wrong Side Of Goodbye, Robert Crais' The Promise (CVL), Graham Hurley's The Order Of Things, Stephen King's story collection Bazaar of Bad Dreams (CVL) and Johan Theorin's Made In Sweden (CVL).

I was also a judge for the CWA Short Story Dagger award, and John Connolly's Night Music, from which two stories made the judges' (and my) short list, was exceptional. The runner-up story came from another fine collection, Crimes, by Alberto Barrera Tyszka, from Venezuela.

But my favourite crime novel of the year was Sara Gran's Dope, which for some reason I came to late. Read my review; it really is as good as I say.

The other two non-crime books that stand out from the year's reading were Kevin Jackson's study of modernism and 1922, Constellation of Genius, and Joe Abercrombie's hugely entertaining story collection, Sharp Ends, which proves not only that the whole sword and sorcery genre is not dead, but that a good writer can do wonderful things with it.  Serious writing in a not always very serious genre. But then you probably watch Game Of Thrones, right?

Monday, 15 February 2016

SARA GRAN'S DOPE

Josephine 'Joe' Flannigan grew up in Hell's Kitchen. Her mother was what they might have called a floozy. Joe tried to raise and protect her younger sister Shelley, made money stealing and worse, and by 20 was a junkie. Now straight, but still shoplifting for cash, she keeps a scrapbook tracking the modelling career of the sister she rarely sees, and keeps clean of junk. Then she's offered a job searching for a missing Barnard co-ed, who's been lured into the world of dope by a slick pimp. Her search takes her back into the lap of temptation, and back into a world where nothing is the way it seems. She may be tough, but she may not be quite as tough as she needs to be.

It's New York City in the early 1950s, and Sara Gran's 2006 novel pulsates with the stacatto beat of the sleazy underworld and the sometimes sleazier straight world as well. The book is structured like Dante's Inferno, a descent into ever more vicious circles of a sort of hell, but at the same time it's a hell that offers some freedoms from the hypocrises and shackles of the bright world outside those circles. Dope reads like a cross between the William Burroughs prose of Junky and the pulp crime novels of Jim Thompson, Cornell Woolrich and maybe most of all David Goodis, with its emphasis on disfunctional family values.

Gran gets the tone both of the times and the pulp novels that themselves represented a kind of underbelly of that world we often associate with Disney, Beaver, and Mad Men. She also keeps her own tone steady, gathering speed on the downward descent, and preparing the reader for a remarkable twist at the end that literally had me going back to check and see how well prepared it had been. This doesn't seem to have published in the UK, which might explain how I missed it, but I do regret that now. A first-rate piece of neo-pulp, with enough of a modern sensibility behind it to be knowing comment, but not so much as to be ironic. I love it.

Dope by Sara Gran
Berkeley Books, $14.00, ISBN 9780425214367